{"id":41535,"date":"2026-09-01T14:29:45","date_gmt":"2026-09-01T12:29:45","guid":{"rendered":"https:\/\/scensverige.se\/swedstage-2026-2\/"},"modified":"2026-10-05T13:49:15","modified_gmt":"2026-10-05T11:49:15","slug":"swedstage-2026-2","status":"publish","type":"page","link":"https:\/\/scensverige.se\/en\/swedstage-2026-2\/","title":{"rendered":"Swedstage 2026"},"content":{"rendered":"\n<figure class=\"wp-block-video\"><video height=\"630\" style=\"aspect-ratio: 1200 \/ 630;\" width=\"1200\" autoplay loop muted src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/SWEDSTAGE-1.mp4\" playsinline><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We are delighted to invite you to <strong>Swedstage Stockholm 2026<\/strong>, taking place in Stockholm, Sweden, from <strong>13-15 October 2026<\/strong>.<br><br>This year&#8217;s edition is our largest and most ambitious to date, presenting<strong> 14 productions and 14 pitches ready for touring,<\/strong> selected from more than 100 submissions from across the Swedish performing arts sector. Organized by Swedish Performing Arts Coalition (SPAC), Swedstage is Sweden&#8217;s largest international showcase for performing arts, bringing together international programmers, presenters, festival directors, producers, and cultural leaders with a carefully curated selection of contemporary Swedish theatre, dance, performance, and interdisciplinary work. <br><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">MONDAY 12\/10<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><br>Optional add on programme &#8211; Melancholia<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Swedish Royal Opera<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"687\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-1024x687.jpg\" alt=\"\" class=\"wp-image-41648\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-1024x687.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-300x201.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-768x515.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-1536x1031.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-2048x1374.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-1200x805.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/8a97ae09-6247-4fc4-b3c6-869095f1d075-1400x939.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe most awesome opera in a long time,\u201d wrote the newspaper Expressen on its world premi\u00e8re at the Royal Swedish Opera in 2023. Follow the musical apocalypse with Justine\u2019s depression, the approaching planet and Anne Sofie von Otter as the acerbic mother.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Composer Mikael Karlsson and librettist Royce Vavrek have ushered the art form of opera into a new era. With a contemporary soundscape and lyrics that cut straight through the music, they have created an opera that truly delivers a punch to the chest. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">RUNNING TIME: approx. 3 hrs incl. interval<br>STAGE: Main stage<br>LANGUAGE : English, Swedish sub titles  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">TUESDAY 13\/10<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">POINT OF YOU<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">BLOW YOUR MIND<\/p>\n\n\n<style>.kb-image41535_9694a5-b1 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image41535_9694a5-b1 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"873\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-1024x873.jpg\" alt=\"\" class=\"kb-img wp-image-41386\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-1024x873.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-300x256.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-768x655.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-1536x1309.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-2048x1746.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-1200x1023.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/IMG_9240-1400x1193.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Point of You is a participatory performance that uses the transformative power of theatre to create a safe space for reflection and dialogue about freedom, belonging, and social change.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participants are invited to share experiences, listen actively, and collectively imagine the kind of society we want to live in\u2014a space where different perspectives are welcomed and valued.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Throughout the performance, participants are guided through a series of interactive exercises that evoke memories, spark reflection, and inspire shared visions for the future. The starting point may be a childhood experience of justice, or a moment when someone&#8217;s voice went unheard. These personal stories are woven together into a collective exploration of responsibility, agency, and the possibility of change.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As the conversation unfolds, a shared narrative emerges, where individual experiences become part of something larger.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>What kind of society do we want to create?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>How can we live together\u2014and make our voices heard?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Point of You is informed by research on future generations and social sustainability conducted at the Institute for Futures Studies. The performance has been presented at theatres and museums and can be adapted to a wide range of venues. <br><br><strong>Team<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Point of You is created by:<br><strong>Helena Hammarski\u00f6ld<\/strong> (former artistic director of Dramaten&amp;),<br><strong>J\u00f6rgen Dahlqvist<\/strong> (playwright, PhD candidate at Malm\u00f6 Theatre Academy),<br><strong>Tomas Rajnai<\/strong> (director, founder of Osynliga Teatern)<br><strong>Jens Nielsen<\/strong> (director and dramaturg, co-founder of Osynliga Teatern)<br>Performance is led by actor\/poet <strong>Niklas Mesaros<\/strong>.<br><br>The project is developed in collaboration with the Institute for Futures Studies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The performance is conducted in English.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Papa<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Halla \u00d3lafsd\u00f3ttir &amp; Sindri Runudde<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-1024x683.jpg\" alt=\"\" class=\"wp-image-41413\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-2048x1365.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Papa-1400x933.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Under a gigantic cloud hovering above the stage, Halla and Sindri have a never ending conversation on the topic of fathers. The conversation spills into the audience, creating a soft world of imaginary dads.<br>Papa is a duet that drifts through memories, fantasies and shifting identities. Across a spectrum of father figures, a collage of scenes unfolds as dance and jokes collide. Dad jokes, bad jokes, or simply sad jokes.<br>Halla and Sindri have very different relationships with the father figures in their lives: Sindri with daddy issues; Halla being the so-called daddy\u2019s girl. Through storytelling and conversation, they share their personal mythologies, tracing the outlines of masculinity, power, desire and care.<br>Soft audience interaction may occur, through sound, gentle touch and parts of the show are live audio described by the performers.    <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Papa, with and by Halla and Sindri with the music of Planningtorock, is a lighthearted performance with a queer integrity that reaches out to anyone who has a relationship to a present or absent father. \u00d3lafsd\u00f3ttir\/Runudde approach the performance as an exploratory trip, where the encounter with the audience is just as important as the artistic expression. Caretaking is a concept often linked to female gendered professions&#8221; or considered being a feminine trait. The duo wants to explore shared bodily practices based on the idea of caretaking, specifically exploring what patriarchal nurturing entails or could become. Papa seeks to create a soft space through an ongoing playful conversation that spills into the audience space, creating room for reflection and resonance. Through Papa, the duo wants to experiment with how identity is shaped in relation to role models and how we might redefine ideas of power and love in today\u2019s society.     <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Credits:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dance and Choreography:<\/strong> Halla \u00d3lafsd\u00f3ttir &amp; Sindri Runudde<br><strong>Music:<\/strong> Planningtorock<br><strong>Lighting Design:<\/strong> Jonatan Winbo<br><strong>Scenography and Costume: <\/strong>Tove Dreiman<br><strong>Photography:<\/strong> Chrisander Brun, Thomas Zamolo and Tove Dreiman<br><strong>Assistance and Rehearsal Director:<\/strong> Eli Eli<br><strong>Outside Eye:<\/strong> Stina Nyberg<br><strong>Internship and Outside Eye:<\/strong> Mar\u00eda Krist\u00edn J\u00f3hannsd\u00f3ttir<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Collaboration With Nordberg Movement<br>Administration: Interim Kultur<br>Co-production: MDT \u2013 Moderna Dansteatern, Norrlandsoperan and DansIt.<br>Support: The Swedish Arts Council, Stockholm Region and Stockholm Stad<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Documentation by Thomas Zamolo at Moderna Dansteatern, Stockholm March 2026.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Night Walkers<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Teater Brunnsgatan Fyra<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-1024x684.jpg\" alt=\"\" class=\"wp-image-41425\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-1024x684.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-768x513.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-1536x1025.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-2048x1367.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-1200x801.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/FE_nattorienterarna-184-scaled-1-1400x935.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Swedish poet and playwright Kristina Lugn had a unique literary style which blended the mundane with the profound, romantic longings with pitch black existentialism and sprinkled throughout with a huge dose of humour. \u201cNattorienterarna\u201d is one of her most beloved plays and could perhaps be described as a Swedish cousin to Becket&#8217;s &#8220;Waiting for Godot&#8221;. This is the first time the play is staged in Teater Brunnsgatan 4 since 1998 when it premiered there with Lena Endre and Pernilla August in two roles of Vera and Bricken (a performance which included live fire effects on stage which allegedly scared the life out of Ingmar Bergman). A new generation of all female cast and creatives have now made their own version of this modern Swedish classic which and received rave reviews for their sold out run earlier this year.    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vera and Bricken are both teachers at the same school and one of them has had an affair with the other ones husband. We meet them in the darkest hours of the night in a suburb somewhere in Stockholm. They were not expecting to meet anyone else there, let alone each other. They are each on a mission to try and navigate trough the darkness armed with a flashlight and a map. But the night they find themselves in is perhaps better described as a state of mind than an actual place. A state of mind one might need more than a map to navigate, perhaps in these dark times we are currently in we even to put on our armour in order to find the courage to keep moving forward. This is a play about allowing yourself to get lost in language through poetry and the make believe of the theatre. It\u2019s not so much a story about trying to free oneself by escaping from reality, but rather about giving reality itself wings and setting it free.        <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Credits:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>By:<\/strong> Kristina Lugn<br><strong>Director: <\/strong>Melody Parker<br><strong>Performers: <\/strong>Jenny M Jensen, Janna Granstr\u00f6m<br><strong>Set &amp; costume design:<\/strong> Agnes \u00d6stergren<br><strong>Light design:<\/strong> SUTODA<br><strong>Sound design:<\/strong> Elias Shapiro*<br><strong>Technician:<\/strong> Kristian Cavdarovski<br><strong>Pressfoto &amp; Poster :<\/strong> Fredrika Eriksson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Artist Pitch<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Meet the artist through a short presentation of their artistic practice, current projects, and future ambitions. Discover new perspectives, works in development, and opportunities for collaboration and exchange. Each presentation is followed by audience questions and conversation.  <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Malm\u00f6 Dockteater<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-1024x683.jpg\" alt=\"\" class=\"wp-image-41888\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-2048x1365.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Anette_2025_Jenny-Baumgartner-2-1400x933.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Malm\u00f6 Dockteater is Sweden&#8217;s only puppet theatre dedicated exclusively to adult audiences. We explore and challenge the boundaries of stage art through productions that have sent ripples across the country, sparking a puppet theatre revival in the Swedish performing arts scene. By developing a completely unique aesthetic and working method, often drawing inspiration from traditional puppetry while constantly pushing its limits.  <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Olof Runsten<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/image-1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/image-1-1024x768.png\" alt=\"\" class=\"wp-image-41895\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/image-1-1024x768.png 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/image-1-300x225-1.png 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/image-1-768x576.png 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/image-1.png 1125w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Olof Runsten is a theatre director and playwright, part of Dramageddon. His work is shaped by a strong audiovisual language. His productions unfold as series of images cut together through blackouts, moving between eerie situations, dread and humour in ways that are hard to predict \u2014 often described as hypnotic. Recent works include Norma Jeane Baker of Troy (Anne Carson), Marthas Hus (2024) and Seasons (2024), toured internationally to Black Box Teater, Viirus and Rosendal Teater, among others. In December, he premieres MOLNTRIPTYK at Inkonst, Malm\u00f6.    <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Danskompaniet Spinn<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-1024x512.jpeg\" alt=\"\" class=\"wp-image-41916\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-1024x512.jpeg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-300x150-1.jpeg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-768x384.jpeg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-1536x768.jpeg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-1200x600.jpeg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-2048x1024.jpeg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/DanskompanietSpinnFotoMalinJohansson-1400x700.jpeg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Danskompaniet Spinn is an inclusive dance company based in Gothenburg. We create powerful dance art with a spin, a twist \u2014 exploring different bodies, new ways of creating and presenting dance, and giving our bodies space to be as amazing as they are. Art is at the core of our work, while accessibility is equally important. We believe that diversity creates new perspectives, creative possibilities and more ways for dance to move, connect and inspire.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><em>Aloun Marchal <\/em><\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1920\" style=\"aspect-ratio: 1080 \/ 1920;\" width=\"1080\" controls src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/Aloun-Marchal-The-Loopers-loop-1.1.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Aloun Marchal\u2019s work centers on creating inclusive, sensory experiences that dissolve the distance between performers and audiences. Through movement, rhythm, sound, physical empathy, humor, absurdity and grotesque, the work challenges traditional representations and creates more horizontal relationships. Performers\u2019 skills serve communication rather than spectacle. Technology remains transparent and accessible, allowing the \u201cmagic\u201d to emerge from live bodies, interactions and the collective experience of the audience.   <br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Optional add on within schedule &#8211; FAKE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Royal Dramatic Theatre<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/b01b9391-8579-407d-aa7e-2136e0ec66fe-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/b01b9391-8579-407d-aa7e-2136e0ec66fe-1-scaled.jpg\" alt=\"\" class=\"wp-image-41881\"\/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Fake by and directed by Yael Ronen. World premiere September 5.<br>Can everything be manipulated today\u2014and does truth even matter anymore? This question is central as Yael Ronen creates a new work for Dramaten. The production is developed together with the ensemble, and according to actor Lindy Larsson, the only certain thing is that Fake will not be about what we expect. Born in Jerusalem and active in Germany, Ronen had her breakthrough with the play Third Generation and is known for bold, contemporary, and humorous productions about current conflicts.    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cast:<\/strong> Mustafa Al-Mashhadani, Bj\u00f6rn Elgerd, Electra Hallman, Bianca Kronl\u00f6f, Lindy Larsson, Ia Langhammer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Artistic Team<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Written and directed by:<\/strong> Yael Ronen<br><strong>Set Design:<\/strong> Wolfgang Menardi<br><strong>Video:<\/strong> Stefano di Buduo<br><strong>Music:<\/strong> Yaniv Fridel, Ofer Shabi<br><strong>Costume Design:<\/strong> Amit Epstein<br><strong>Lighting Design:<\/strong> Patrik Angestav<br><strong>Wig and Make-up:<\/strong> Mimmi Lindell<br><strong>Dramaturg:<\/strong> Irina Szodruch, Anneli Dufva<br><strong>Translation:<\/strong> Lotta Olsson<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Optional add on within schedule &#8211; Parzival<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Royal Dramatic Theatre<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-1024x683.jpg\" alt=\"\" class=\"wp-image-41786\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-767x511.jpg 767w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-2048x1365.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-1199x799.jpg 1199w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-299x199.jpg 299w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/e06a59d4-59fd-42b4-b820-876c6da1ea05-1400x933.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><br>Parzival av Lukas B\u00e4rfuss efter Wolfram von Eschenbach<br>Dramaten 2026<br>Regi: Marie Nikazm Bakken<br>Scenografi: Julia Herskovits<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Parzival by Lukas B\u00e4rfuss, after Wolfram von Eschenbach. Directed by Marie Nikazm Bakken. Swedish premiere September 10.<br>Parzival grows up isolated in the forest with his mother, sheltered from the world and unaware of everything. When he encounters knights, his curiosity is awakened and he sets out on a journey without a moral compass. An epic, grotesque, and humorous story about the search for meaning in chaos.    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cast: Hamadi Khemiri, Elin Klinga, Hulda Lind J\u00f3hannsd\u00f3ttir, Tanja Lorentzon, Razmus Nystr\u00f6m, Joel \u00d6dmann.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Artistic Team<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>By: <\/strong>Lukas B\u00e4rfuss, after Wolfram von Eschenbach<br><strong>Directed by:<\/strong> Marie Nikazm Bakken<br><strong>Set and Costume Design:<\/strong> Julia Herskovits<br><strong>Music:<\/strong> Christoffer Karlsson<br><strong>Lighting Design:<\/strong> Christoffer Lloyd<br><strong>Make-up and Wig:<\/strong> Nathalie Pujol, Frida Ottosson<br><strong>Dramaturg:<\/strong> Jacob Hirdwall<br><strong>Translation:<\/strong> Linda \u00d6stergaard<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">WEDNESDAY 14\/10<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Optional add on within schedule &#8211; Crisis, chaos, catastrophe<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Unga Klara och Riksteatret<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-1024x576.jpg\" alt=\"\" class=\"wp-image-41421\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-1024x576.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-300x169.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-768x432.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-1536x864.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-2048x1152.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-1200x675.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/1920x1080-3-1400x788.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Monday morning in a classroom somewhere. Five students and a teacher gather for a retake exam. The assignment is to answer the question \u201cwhat does your life look like in 20 years?\u201d&#8230; but what do you answer when you don&#8217;t even know what next week looks like? Or have to deal with overprotective mothers and gang-affiliated brothers? Will fuckboys continue to ghost us for all eternity? What if life is just an AI-generated infinite loop? Or Jesus returns? Maybe the planet burns up?       <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Soon, the students are so entangled with one another that they barely hear the shelter-in-place alarm blaring outside the classroom door&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kris, kaos &amp; katastrof is a sci-fi comedy for all of us who have ever felt that the world is about to explode. Written by rising playwright star Amar Ja\u0161arevi\u0107, directed by acclaimed Farnaz Arbabi. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A co-production between Unga Klara and Riksteatret in Norway. The play has its world premiere at Unga Klara on October 16, 2026, before going on tour in Norway. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cast on stage in Sweden:<\/strong><br>Nader Attiyah<br>Hannes Alin<br>Helen Engida (intern from Malm\u00f6 Theatre Academy)<br>Julia K\u00fcster<br>Karolina Mindell Kidanu<br>Sjur Vatne Brean<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Production<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Script\/Playwright:<\/strong> Amar Ja\u0161arevi\u0107<br><strong>Directed by:<\/strong> Farnaz Arbabi<br><strong>Dramaturg:<\/strong> Erik Uddenberg &amp; Toril Solvang<br><strong>Set and Costume Design: <\/strong>Jenny Kronberg<br><strong>Lighting Design:<\/strong> Elisabeth Kjeldahl Nilsson<br><strong>Sound Design: <\/strong>Leo Goldmann<br><strong>Make-up Design:<\/strong> Alexander Wernersson<br><strong>Video Design:<\/strong> Noemi Rombo Zetterlund<br><strong>Assistant Director and Understudy:<\/strong> Matilda Esselius<br><strong>Graphic Designer:<\/strong> Parasto Backman<br><strong>Photography:<\/strong> Linn\u00e9a Tammer\u00e5s<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Chest<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Stina Nyberg<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-1024x683.jpg\" alt=\"\" class=\"wp-image-41502\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-2048x1365.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/DSC_6150-1400x933.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Chest is a choreography at the intersection of ecology, animality, and masculinity. It folds practices around seeming binaries such as hard and soft, flaccid and erect, hairy and bald, into contradictory landscapes, switching between atmosphere and personhood in trying out ways of being nature to each other. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In an attempt to imagine a different world, Chest searches for a common ground from which new figures can emerge. Creating hybrids that are not cars, but living beings simultaneously moving and being moved, embodying the myriad properties of protagonists, landscape, and atmosphere. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Chest, Stina Nyberg continues to explore musical horizons, this time collaborating with composer Kaki King, based in New York. King is considered one of the world\u2019s greatest living guitarists, known both for her technical mastery and for her constant quest to push the boundaries of the instrument. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chest is developed in deep collaboration with dancers Robert Malmborg, Pontus Pettersson and Stephen Thompson as well as the rest of the artistic team Andros Zins-Browne, Kaki King, Jenny Nordberg, Senay Berhe and Thabiso Kubheka Persson in a joint endeavour to stay with the trouble and the joy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stina Nyberg is a dancer and choreographer living in Stockholm. Her work is based on the political and social history of the body from a feminist perspective. She is interested in undervalued knowledge, magical practices and the language of power. <em>Chest<\/em> (Dansens Hus 2024) is the third instalment of Nyberg&#8217;s investigation into the assholeness of humanity, previously developed in <em>The Dawn Chorus<\/em> (Norrdans 2022) and <em>Sweet<\/em> (MDT 2022).  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Credits: <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Choreography:<\/strong> Stina Nyberg<br><strong>Dance:<\/strong> Robert Malmborg, Stina Nyberg, Pontus Pettersson, Stephen Thompson<br><strong>Music:<\/strong> Kaki King<br><strong>Dramaturg:<\/strong> Andros Zins-Browne<br><strong>Costume, set and mask design:<\/strong> Jenny Nordberg<br><strong>Light design:<\/strong> Thabiso Kubheka Persson<br><strong>Film:<\/strong> Senay Berhe<br><strong>Production:<\/strong> Terry Johnson (Johnson &amp; Bergsmark), Magnus Nordberg (Nordberg Movement)<br><strong>Residency and co-production:<\/strong> Dansens Hus, The Chocolate Factory Theater and Lower Manhattan Cultural Council (NYC) <br><strong>Supported by:<\/strong> The Swedish Arts Council, Stockholm stad, Region Stockholm, The Swedish Arts Grants Committee<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">CANCER DANCE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">RIKSTEATERN<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/CANCER_16x9_TEXT_24s_h264.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A life-affirming dance performance about becoming ill.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Choreographer Nadja Hjorton has created a solo that moves from the deeply intimate to the truly spectacular. <em>CANCER DANCE<\/em> is her own story \u2014 an exuberant celebration of life, even when life is at its most difficult.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When Nadja turned 40, she became a theatre director. And was diagnosed with breast cancer. The performance takes that period as its starting point: a body undergoing change, fear, the loss of control, and cells running wild. But also everything that remained part of life: her children, her friends, TikTok dances in the living room, and unexpected moments of happiness in the midst of chaos.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>CANCER DANCE<\/em> is neither a sob story nor a heroic tale. It is the performance Nadja herself would have wanted to see when she was ill. A solo that, through wry humour, physicality and warmth, seeks to make life feel more vivid.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The music is by artist and composer Britta Persson. The costume is designed by Daniel \u00c5kerstr\u00f6m Steen, and the set design by Chrisander Brun, created to evoke the inner world of the body in a playful and surreal way. Produced by Riksteatern.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Running Time: 1 hour<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Performer: <\/strong> Nadja Hjorton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Artistic Team<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Concept and Choreography:<\/strong> Nadja Hjorton<br><strong>Lighting Design and Set Design:<\/strong> Chrisander Brun<br><strong>Costume and Makeup Design:<\/strong> Daniel \u00c5kerstr\u00f6m Steen<br><strong>Music Composition:<\/strong> Britta Persson<br><strong>Dance Dramaturg:<\/strong> Maryam Nikandish<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">flesh chariot, chariot of flesh<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Cullberg<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-1024x683.jpg\" alt=\"\" class=\"wp-image-41760\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-300x200-1.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-2048x1366.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/fleshchariot-program-photoCarlThorborg-02-1399x933.jpg 1399w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The multi-award-winning, New York\u2013based choreographer Faye Driscoll has been described as a wild, idiosyncratic postmodern talent. She is now creating her first collaboration with Cullberg \u2014 a contemporary dance performance for all senses, featuring fifteen dancers. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About the performance<\/strong><br>The performers exist in a state of \u201cseparate-togetherness,\u201d navigating a porous boundary between individual agency and collective emergence. The group vibrates into scenes, dissolves into masses, collides in and out of coherence, riding waves of force that rupture stillness into collapse, an ecstatic overcoming. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The architecture reveals itself in layers\u2014soft, hard, sunken, protruding\u2014inviting a destabilized reading of depth, time, and gravity. As the body rides and is ridden by force, we ask: how does a body metabolize the uncontainable? <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Faye Driscoll is an American dancer, choreographer, and director. Her works often include unexpected turns, elements of visual art or theatre, and move from realism into fantasy, while inviting audiences to experience everything from joy and exhilaration to discomfort and anger. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Faye Driscoll has received the Doris Duke Award, a Guggenheim Fellowship, a Bessie Award, and the Jacob\u2019s Pillow Artist Award, among many other distinctions. Her works have been presented at venues and festivals such as Tanz im August, Kunstenfestivaldesarts, La Biennale di Venezia, Festival d\u2019Automne \u00e0 Paris, Melbourne Festival, Belfast International Arts Festival, and the Onassis Cultural Centre in Athens. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of her recent works, Weathering, premiered at New York Live Arts in 2023 and has since toured across the United States, Europe, and Japan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Choreography:<\/strong> Faye Driscoll<br><strong>Set Design:<\/strong> Jake Margolin, Nick Vaughan<br><strong>Costume Design:<\/strong> Irene Ip<br><strong>Sound Design:<\/strong> Julia Giertz<br><strong>Lighting Design:<\/strong> Mira Svanberg<br><strong>Dramaturg:<\/strong> Dages Juvelier Keates<br><strong>Choreographic Assistant:<\/strong> Amy Gernux<br><strong>Performers:<\/strong> Anand Bolder, Andrea Muelas Blanco, Celina Hage, Eleanor Campbell, Girish Kumar Rachappa, Harrison Elliott, Johanna Willig-Rosenstein, Katie Jacobson, Lilian Steiner, Luca Seixas, Lukas Karvelis, Noam Segal, Panos Paraschou, Thamiris Carvalho, Vincent Van der Plas.<br><strong>Production:<\/strong> Cullberg<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cullberg is part of Riksteatern.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">GOODTHEATRE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">moment:teater<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-1024x732.jpg\" alt=\"\" class=\"wp-image-41868\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-1024x732.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-300x214.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-768x549.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-1536x1097.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-2048x1463.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-1200x857.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/GOODTHEATRE-5898-av-Thomas-Zamolo-1400x1000.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>GOODTHEATRE<\/em> is a genre-fluid choreographic work by Ludde Hagberg with Tilman O\u2019Donnell, Anna Vnuk and Rudi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The performance takes place in 2026, seen from the perspective of an imagined reality several decades later. From that vantage point, the present appears as a turning point: a time when humans were beginning to share agency with systems, technologies and other forms of intelligence.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>GOODTHEATRE<\/em> approaches this shift through one of the oldest relationships: the relationship between human and dog. Intimate, collaborative and affectionate, it is also shaped by an obvious asymmetry of power. Who gives the command, who learns, and who adapts?  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From this familiar relationship, the work opens onto broader questions of autonomy, intelligence and control, and of what happens when agency begins to move between different actors. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Playful and philosophical, <em>GOODTHEATRE<\/em> uses choreography to look at 2026 as if it were already history. Rather than imagining a distant future, it turns its attention towards the present and asks what kinds of change may already be taking place. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CREDITS:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Choreographer and director: <\/strong>Ludvig Bildstein<br><strong>On stage:<\/strong> Anna Vnuk, Tilman O\u2019Donnell, Ludde Hagberg, Rudi<br><strong>IT-Dramaturg:<\/strong> Daniel Andersson<br><strong>Light design and tech:<\/strong> Thomas Zamolo<br><strong>Production:<\/strong> Heta Asikainen, Karin Rob\u00e9rts<br><strong>Producent<\/strong> (kompani\/teater\/institution etc): moment:teater<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In collaboration with The Royal Swedish Ballet School<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With support from the City of Stockholm, the Swedish Arts Council, and Region Stockholm<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">THURSDAY 15\/10<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ingeborgs Manifesto<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">House of possibilitas<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Bilder-pa-Ingeborg.-Foto-Lina-Ikse-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"343\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Bilder-pa-Ingeborg.-Foto-Lina-Ikse-1.jpg\" alt=\"\" class=\"wp-image-41415\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Bilder-pa-Ingeborg.-Foto-Lina-Ikse-1.jpg 640w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Bilder-pa-Ingeborg.-Foto-Lina-Ikse-1-300x161.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A playful, physical comedy based on the words of Ingmar Bergman.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ingeborg is a demonic director who never doubts her own talent. She has gathered her colleagues to tell them about her next production: a story of heavy masculinity in a room with red wallpaper. But the demons refuse to cooperate. Ingeborg hears the echoes of former critics, her stomach is torturing her, the tax authorities are after her, and there is a persistent buzzing in the room drives her crazy. Memories of countless disastrous love affairs haunt her, even though she has no real interest in anything other than her masterpiece.    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Do new meanings emerge when the male genius is no longer male? <\/strong><br>Exploring, through text and language, the way Ingmar Bergman addressed his colleagues and described his private life began as a humorous experiment. What becomes striking is how casually he describes leaving women, his lack of empathy towards his children, and his total, almost narcissistic, focus on his work. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>How do we listen to the \u201cmale genius\u201d when that genius is a woman? <\/strong><br><br><strong>Team:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>On stage as Ingeborg:<\/strong> Gilda Stillb\u00e4ck<br><strong>Text and Concept:<\/strong> Petra Revenue &amp; Gilda Stillb\u00e4ck<br><strong>Director:<\/strong> Petra Revenue<br><strong>Choreography:<\/strong> Gilda Stillb\u00e4ck<br><strong>Lighting Design:<\/strong> Fredrik Glahns<br><strong>Photo:<\/strong> Lina Ikse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PRODUCTION PITCH<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Discover eight exciting productions seeking new touring opportunities and international partnerships. In a series of concise presentations, artists and companies introduce their work, share future plans, and explore possibilities for collaboration, followed by audience questions and discussion. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Mythologies \/ Omer Keinan Produced in collaboration with DOCK ART and nein9 kollektiv (Berlin, Germany)<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-1024x683.jpg\" alt=\"\" class=\"wp-image-41816\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-300x200-1.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-767x512.jpg 767w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-1536x1025.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-2048x1367.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-1199x800.jpg 1199w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Blank-Check-24-Mythologies-Sascha-Schlegel-47-1399x934.jpg 1399w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMythologies&#8221; is a dance event about the ways we story our own experiences, and the ways storytelling shapes our relationship with the world and ourselves.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You are invited to share stories from your daily lives. As stories become dances, they enter the unstable terrains of embodiment and collective play wherein their meaning-making is unravelled. As multiple stories are woven, they slip and crack, allowing us to disturb the narratives our bodies have come to hold.  <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Horse Opera<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-1024x683.jpeg\" alt=\"\" class=\"wp-image-41814\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-1024x683.jpeg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-300x200-1.jpeg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-768x512.jpeg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-1536x1024.jpeg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-2048x1365.jpeg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-1200x800.jpeg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/3Q8A4895-1400x933.jpeg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The Horse Opera is a new experimental opera set inside a riding hall, where opera, contemporary dance and electroacoustic music come together. In a dystopian world where humans have rejected nature and horses have been driven away, twins Jackie, human, and Candy, half-human, half-horse, struggle to hold on to each other. A visual and visceral work exploring identity, belonging and our relationship with the more-than-human world.  <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Pelican \/ \u00d6stfronten<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-scaled.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-1024x683.png\" alt=\"\" class=\"wp-image-41818\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-1024x683.png 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-300x200-1.png 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-768x512.png 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-1200x800.png 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-1536x1024.png 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-1400x933.png 1400w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/pelikanen1-av-Henrik-Dahl-2048x1365.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The Pelican is a musical reinterpretation of Strindberg\u2019s chamber play from 1907. A chilling comedy about the worst thing imaginable: a mother who would rather drink champagne, go out dancing, and seduce younger men than look after her children. In short: a mother who doesn\u2019t love her kids. Ugh! The show opened in 2024 to rave reviwes and has toured in Sweden since. \u00d6stfronten is a fringe theatre group specialised in producing new musicals for grown-ups. The Pelican was made in collaboration with Strindbergs Intima Teater.      <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Little Girl with Gortsa \/ Eleftheria Gerofoka, Backa Teater<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-1024x682.jpg\" alt=\"\" class=\"wp-image-41822\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-1024x682.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-767x511.jpg 767w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-2048x1365.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-1199x799.jpg 1199w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-299x199.jpg 299w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/01-flickan-och-vildparonen-pressbild-foto-ola-kjelbye-1400x933.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Founded in 1978, Backa Teater is an independent part of Gothenburg City Theatre, with its own venue, ensemble and artistic director. Based in a former shipbuilding factory, the theatre creates around four new productions each year for a diverse audience of young people and adults. With a long experience of involving young audiences in the artistic process, Backa Teater works across both new writing and classical texts. Its productions have received national and international recognition and been invited to festivals around the world.<br><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em><strong>Boreali Land <\/strong>\/ Anna Borr\u00e0s Produktion<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-1024x683.jpg\" alt=\"\" class=\"wp-image-41902\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-300x200-1.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-1536x1025.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-1199x800.jpg 1199w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland-1399x933.jpg 1399w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/32_Tanne-Willow_Anna-Borras_Borealiland.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Anna Borr\u00e0s is a Catalan-born dance ar3st, choreographer, dance instructor and mentor based in Malm\u00f6, Sweden. Since 2014, she has developed interdisciplinary work through Anna Borr\u00e0s Produk3on, combining contemporary dance, physical theatre, her own dis3nc3ve movement language and elements of technology such as projec3on mapping and mo3on capture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Boreali Land is a small-format adapta3on of her larger produc3on Boreali, invi3ng audiences into an immersive Arc3c landscape where dance, light, projec3on and sound evoke the birth of the Northern Lights. Audiences are invited to move freely through a poe3c world of colour, silence, scent, vibra3on and s3llness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>King2King \/ Potatopotato<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-1024x683.jpg\" alt=\"\" class=\"wp-image-41820\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-300x200-1.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-2048x1366.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/King2King-show-foto_-Julia-Lindemalm-1399x933.jpg 1399w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">PotatoPotato, King2King p\u00e5 Inkonst<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">PotatoPotato is an experimental performing arts company based in Malm\u00f6, Sweden, active since 2008. King2King &#8211; the Show (must go on?) is an electrifying hybrid of club concert and theatre, offering a bold alternative to the traditional, male-dominated DJ scene and drag show. A performance that addresses stereotypical Swedish values &#8211; the Swedish Dads in Swedish House Mafia-suit. Performed by a Swedish avantgarde performance art company.   <br><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Tannhauser Dream \/ Robin Jonsson<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-1024x682.jpg\" alt=\"\" class=\"wp-image-41907\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-1024x682.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-768x511.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-1536x1022.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-2048x1363.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-1199x798.jpg 1199w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-1399x931.jpg 1399w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/THEMOSTHUMAN-Alex-Ludvig-299x199.jpg 299w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Robin Jonsson is a Swedish choreographer whose work explores how human relationships change when the conditions for being together change. Working across choreography, XR and interactive technologies, he creates performances where technology becomes part of the social situation. In The Tannh\u00e4user Dream, physical and virtual bodies meet in a shared reality, exploring presence, identity and the unstable boundary between being here and being somewhere else.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <br><strong><em>Baba Karam \/ Konstgruppen ful<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/BABA-KARAM-Trailer-video_English-subtitles.mov\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ful is a queer feminist art collective based in Sweden that through an intersectional understanding of the art event, produces performances, exhibitions, publications, podcasts and curates talks and meetings. Founded 2008, with the artistic leadership of the director and artist Nasim Aghili, Ful consists of artists and curators that are working with analysis, theory and knowledge formation through art based on queer feminist ideas, decolonial practices and postcolonial aesthetics.\u00a0<br><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">ARTIST PITCH &#8211; Virpi Pahkinen<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-1024x683.jpg\" alt=\"\" class=\"wp-image-41826\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-300x200-1.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-2048x1366.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/Change_01-1399x933.jpg 1399w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Choreographer and dancer Virpi Pahkinen is internationally known for her powerful performances with inspiration from mysticism, nature, and architecture. Pahkinen has performed to critical acclaim at prestigious venues across the globe, captivating audiences with her hypnotic stage presence and innovative choreography. She has been honored with numerous awards for her contributions to the arts and continues to be a significant figure in the evolution of contemporary dance.  <br><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Casino<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Johnson &amp; Bergsmark\/Ofelia Jarl Ortega<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"709\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-1024x709.png\" alt=\"\" class=\"wp-image-41433\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-1024x709.png 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-300x208.png 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-768x532.png 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-1536x1063.png 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-2048x1418.png 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-1200x831.png 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/Skarmavbild-2026-08-27-kl.-11.41.03-1400x969.png 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Three performers of the Latin American diaspora, Jao Moon, Nina Sandino and Ofelia Jarl Ortega, move through a fictional dance floor, where rhythm emerges through their steps. Drawing on personal histories and diasporic memory, the performers connect and disconnect in subtle, playful, exchanges. Casino, as salsa dancing is called in Cuba, reflects on salsa as both dance and cultural projection. The work unpacks identity, clich\u00e9s and longing, through a dance that resonates beyond its origins.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Contextualising salsa in Sweden<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A big Latino boom took place internationally in the 90s and 00s, shedding light on artists like Shakira, Jennifer Lopez, Ricky Martin and Marc Anthony. Of course, there have been Latino booms before and after that too. \u201cLatino\u201d is, as we know, not a genre in itself, as Latin America includes from Chile in the south to Mexico in the north. In Sweden, the early 00s Latino explosion made salsa very popular. Everyone was dancing it, including the Latin American diaspora.    <br><br>Chilenos have never really had salsa as a national dance. Instead, it was very big in Cuba, Colombia and the Caribbean. There, every dinner ends with salsa dancing, and every birthday celebration is a dance. In Chile, the social dance has been cumbia, or the folk dance cueca. Nevertheless, salsa gatherings among Chilenos became huge in Sweden. The phenomenon grew in Sweden due to the big number of Chilenos living in the country post Pinochet\u2019s dictatorship in the 70s-90s. For the exiled Chilenos, salsa became a way to connect to the Latin American background. It became a subculture within the diaspora. And to be Latino you needed to know how to dance salsa, a clich\u00e9 that still haunts us in this piece.        <br><br><strong>Choreographer&#8217;s statement<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>When I first traveled to Chile as a grown up I met the blossoming reggaeton scene, and the feminist subgenre neo-perreo. For some years reggaeton was my connection to Latin America and my own heritage, until I stumbled upon salsa. The salsa music has always been part of what\u2019s been played at home, but the dance had been hidden for me. Now salsa is all on my mind. And my newfound way of connecting to a Latin American diaspora, to be Chilean in Sweden, and to be a second generation immigrant.\u201c    <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>&#8211; Ofelia Jarl Ortega<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CREDITS <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Choreography:<\/strong> Ofelia Jarl Ortega, in close collaboration with the performers.<br><strong>Performers:<\/strong> Jao Moon, Nina Sandino\/caterina daniela mora jara, Ofelia Jarl Ortega<br><strong>Lighting Design:<\/strong> Johan Sund\u00e9n<br><strong>Dramaturgy:<\/strong> Andrea Rodrigo, Quim Bigas<br><strong>Costume:<\/strong> Erik Annerborn<br><strong>Photo:<\/strong> Milja Rossi<br><strong>Trailer:<\/strong> Karl-Oskar Gustafsson<br><strong>Production: <\/strong>Terry Johnson, (Johnson &amp; Bergsmark)<br><strong>Co-production:<\/strong> Dansehallerne, MDT, BIT Teatergarasjen<br><strong>Residency support:<\/strong> h\u00f6jden studios, Stockholm and Dansplats Skog, Str\u00e5tj\u00e4ra<br><strong>With support from: <\/strong>The Swedish Art Grants Committee, The Swedish Arts Council and Stockholm city.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kostya \u2013 the ballad of pigs and seagulls <\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Kontr\u00e4r<\/p>\n\n\n<style>.kb-image41535_0a021d-61 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image41535_0a021d-61 size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/image.png\" class=\"kb-advanced-image-link\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/image-1024x768.png\" alt=\"\" class=\"kb-img wp-image-41513\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/image-1024x768.png 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/image-300x225.png 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/image-768x576.png 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/image.png 1062w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Nothing you make will outlive the week. The world cleans its surfaces every morning \u2013 quickly, precisely, almost synthetically. So: one disillusioned pig. One dead writer. One new theatre that vanishes in the very act of its becoming.    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There is no script. The piece is written in this room, out of the body of the person standing in front of you. There is no blood either \u2013 there was no budget for it. You\u2019ll have to provide that yourself. And remember: the trouble is, you\u2019re not alone in this room.    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The play is inspired by Anton Pavlovich Chekhov\u2019s The Seagull.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For full enjoyment, some kind of knowledge is, in fact, necessary.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Trigger warnings: Serbian, irony, nasty, Serbian again, participatory, unknown feelings, maybe sexual<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The performance is part of the project Political Loneliness \u2013 a collaboration between Sweets &amp; Heartefact. The project has previously resulted in the performance Art &amp; Money by Freja Hallberg, which is now part of the recurring repertoire in Belgrade and has been presented in both Belgrade and Stockholm. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Credits:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Direction:<\/strong> Andrej Nosov<br><strong>Starring:<\/strong> Nils Wetterholm<br><strong>Dramaturg:<\/strong> Sofija Dimitrijevic<br><strong>Sound Design:<\/strong> Vladimir Pejkovic<br><strong>Light Design:<\/strong> Nemanja Calic<br><strong>Stage movement:<\/strong> Marija Milenkovic<br><strong>Set &amp; costume design:<\/strong> Nadja Vukorep<br><strong>Photography:<\/strong> Marijana Jankovic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Heartefact production<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tschandala <\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lindy Larsson<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-1024x683.jpg\" alt=\"\" class=\"wp-image-41876\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-1024x683.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-768x512.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-1536x1024.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-2048x1365.jpg 2048w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-1200x800.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/10\/4M1A3392-1400x933.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Lindy Larsson gives a personal theatre concert rooted in his Romani heritage, with support from Bon Bon Band. He gives voice to the Romani people and exposes a blind spot in Swedish history that still echoes today. The performance explores exclusion, abuse, survival, healing and liberation. A musical manifestation of high-voltage Romani music without a safety net, a revision of Swedish history and an urgent act of preserving a threatened minority.<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">N\u00fax br\u00fax<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Norrdans<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-1024x681.jpg\" alt=\"\" class=\"wp-image-41435\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-1024x681.jpg 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-300x200.jpg 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-768x511.jpg 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-1536x1022.jpg 1536w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-1200x798.jpg 1200w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB-1400x931.jpg 1400w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/08\/A3_nuxbrux_utext_sRGB.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00fax is the ancient Greek word for night, while br\u00fax derives from a root meaning teeth grinding. Together they form N\u00fax br\u00fax \u2013 a poetic description of nocturnal teeth grinding: a body that refuses to rest, a friction that continues through the darkness. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Greek choreographer Chara Kotsali\u2019s physical and sonic dance ritual, the night becomes a space of resistance, desire, and longing. Together with Norrdans\u2019 international ensemble, a carnivalesque world unfolds, a charged realm of revolt, togetherness, and metamorphosis, where nocturnal creatures, night owls, hermits, revolutionaries, refuse to sleep. Here, the night marks the beginning of a new day rather than the end of the previous one. N\u00fax br\u00fax pays tribute to nocturnal interspecies alliances and the rebellious economies of the night. Good night!    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>What does choreographer Chara Kotsali say about the night as a theme and point of departure?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cNight and darkness have historically been burdened with stigma. They have been used to signify ignorance, evil, the unknown that provokes fear, and sadness. Yet it is the world of the day that makes jaws clench and keeps them shut throughout the night.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As Europe re-arms, the night is filled with fear and uncertainty; the skies are lit by missiles, and hope is trapped in the blinding light of day. The \u2018enlightened\u2019 West builds its myth on an aseptic whiteness, and night is instrumentalized as evil, the impure other half of the earth that threatens the light. In Hesiod\u2019s Theogony, first there was Chaos, and Chaos gave birth to Darkness and Black Night. And these two mated and gave birth toDay.\u201d   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dance Artists:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Viktoria Andersson @doraviktoriaa Gorik Bellemans @gorikbellemans Ruben Brown @ruben.brown_ Alvilda Faber Striim @alvildastriim Kaelin Isserlin @kaelinbaby Kevin Julianto @kevinnjulianto Sierra Kellman @sierra_kellman Sofia Larriera @sofialarriera<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Choreography: <\/strong>Chara Kotsali @charakotsali<br><strong>Sound Design &amp; Music: <\/strong>Jeph Vanger in close collaboration with the choreographer @jephvanger<br><strong>Costume &amp; Set Design: <\/strong>Periklis Pravitas @pravitasperiklis<br><strong>Lighting Design: <\/strong>Eliza Alexandropoulou @eliza_alexandropoulou <br><strong>Dramaturgical Consultant: <\/strong>Dimitra Mitropoulou <br><strong>Dramaturgy Intern: <\/strong>Edwin Cedergren<br><strong>Rehearsal Director: <\/strong>Matilda Bilberg @matildabilberg<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<h1 class=\"wp-block-heading\">Friday 15\/10<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Optional add on programme &#8211; Nietzsche kontra Wagner<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Folkoperan<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/FOOP-0029-Nietzsche-Webb-1200x1080px-RB-V1-korr.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"922\" src=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/FOOP-0029-Nietzsche-Webb-1200x1080px-RB-V1-korr-1024x922.png\" alt=\"\" class=\"wp-image-41694\" srcset=\"https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/FOOP-0029-Nietzsche-Webb-1200x1080px-RB-V1-korr-1024x922.png 1024w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/FOOP-0029-Nietzsche-Webb-1200x1080px-RB-V1-korr-300x270.png 300w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/FOOP-0029-Nietzsche-Webb-1200x1080px-RB-V1-korr-768x691.png 768w, https:\/\/scensverige.se\/wp-content\/uploads\/2026\/09\/FOOP-0029-Nietzsche-Webb-1200x1080px-RB-V1-korr.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The meeting between philosopher Friedrich Nietzsche and Richard Wagner marks the beginning of an intense friendship and an equally dramatic falling-out. In this newly written musical monologue by Joakim Sten, actor Jonas Karlsson portrays Nietzsche wandering on a Swiss alpine peak, reassessing a musical genius. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The philosopher Nietzsche based his entire worldview on music. As a young man, he was overwhelmed, both artistically and intellectually, when he met the great composer Richard Wagner. Wagner drew him into his circle, encouraged him to write texts praising Wagner himself, and shaped him into his ideological disciple. But as Nietzsche gradually began to see through his mentor and despise his growing antisemitism, troubling questions emerged: Where would this lead? What kind of world would it create?    <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <em>Nietzsche vs. Wagner \u2013 The Most Terrible Human Being Who Has Ever Lived<\/em>, music, philosophy, and text are woven together into a powerful portrait of a man striving to free himself from the greatest genius of his age.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On stage, actor Jonas Karlsson appears as Friedrich Nietzsche alongside opera singers Vilma Sk\u00e4ryd and Philip Hartman, pianist Dmitry Tyapkin, and the Folkoperan Orchestra under the musical direction of Henrik Schaefer. The performance features music by Wagner, Liszt, Nietzsche&#8217;s own compositions, and Georges Bizet, the composer to whom Nietzsche turned after his break with his former friend. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The performance is in Swedish and is not subtitled.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Running time:<\/strong> Approximately 100 minutes (no intermission)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are delighted to invite you to Swedstage Stockholm 2026, taking place in Stockholm, Sweden, from 13-15 October 2026. This year&#8217;s edition is our largest and most ambitious to date, presenting 14 productions and 14 pitches ready for touring, selected from more than 100 submissions from across the Swedish performing arts sector. Organized by Swedish &hellip;<\/p>\n","protected":false},"author":9192198,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-41535","page","type-page","status-publish","hentry","post","without-featured-image"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Swedstage 2026 - Scensverige<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/scensverige.se\/en\/swedstage-2026-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Swedstage 2026 - Scensverige\" \/>\n<meta property=\"og:description\" content=\"We are delighted to invite you to Swedstage Stockholm 2026, taking place in Stockholm, Sweden, from 13-15 October 2026. This year&#8217;s edition is our largest and most ambitious to date, presenting 14 productions and 14 pitches ready for touring, selected from more than 100 submissions from across the Swedish performing arts sector. 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