Georgian Artists Targeted Amid Escalating Repression

Art Against Opression: Solidarity with Georgia (sign the petition!)

Press release from Arts Research Institute in Tbilisi

The Georgian government, led by the pro-Russian “Georgian Dream” party, has employed brutal tactics to suppress protests calling for democratic reforms and the country’s integration with the European Union. Over 400 individuals have been detained, many of whom have been subjected to physical violence, humiliation, and torture at the hands of law enforcement and paramilitary groups acting with impunity. Among the victims are celebrated actors, poets, writers, and directors, and other voices of Georgia’s cultural resistance.

In the midst of violent crackdowns by the Georgian government against peaceful protesters, numerous artists and cultural figures have become victims of police brutality and political persecution. These attacks underscore the government’s increasingly oppressive response to dissent, targeting not only ordinary citizens but also prominent figures from Georgia’s artistic and cultural community.

 – Giorgi Makharadze, an actor, was savagely beaten by a group of 30 masked attackers as police officers stood by, refusing to intervene. His plea for protection was met with silence.

– Andro Chichinadze, another actor, was arrested on fabricated charges of organized crime. His mother, Lika Guntsadze, recounts the traumatic incident, emphasizing the regime’s attempts to silence even non-aggressive voices.

– Giorgi Nakashidze an actor described the “unimaginable cruelty” he faced after being detained by special forces, who subjected him to severe beatings.

– Natia Bunturi, an actress and balet dancer, was deceived into isolation by riot police and struck twice in the head, leaving her bloodied and traumatized.

– An actor Irakli Sirbilashvili, A director Avtandil Diasamidze, and an actor Giorgi Bakhutashvili were all arrested and physically assaulted during protests. Despite their injuries, they remain resolute in their fight for justice.

– Poet Zviad Ratiani suffered severe injuries, including broken bones, after being dragged, beaten, and tortured by police. Ratiani’s resistance to signing fabricated statements highlights the inhumane conditions faced by detainees.

– Director and dancer Tata Tavdishvili was shot in the knee with a rubber bullet at close range while protesting peacefully.

– Writer Toresa Mossy, physically assaulted at the Writers’ House, remains committed to fighting for democracy through love and education, despite the violence inflicted upon her.

And this is not full list of artists who have been arrested or forced.

Arrested individuals are subjected to beatings in transport vehicles, detention centers, and even public spaces. Video footage of these attacks only scratches the surface of the widespread human rights violations occurring in Georgia.

The use of fabricated charges, as seen in the case of Andro Chichinadze, and targeted assaults on prominent artists indicate an intentional effort to dismantle Georgia’s cultural and intellectual resistance. These actions are part of a broader campaign to intimidate citizens, suppress dissent, and consolidate authoritarian power.

The violence against artists represents an assault on Georgia’s soul. Cultural figures have always been at the forefront of the country’s fight for freedom, democracy, and justice. Their targeting sends a chilling message: no one is safe from the regime’s repression.

The international community must urgently condemn these actions, demand accountability, and stand in solidarity with the people of Georgia. The voices of artists, journalists, and activists are vital in the fight for a democratic and free Georgia, and their safety must be protected at all costs.

Despite the violence, the artistic community remains steadfast in its commitment to resist oppression. Actor Giorgi Bakhutashvili said it best: “The fight continues until victory.”

For more information, interviews, photos and videos or interviews, please saw those links.

A letter of support to the performing arts community in Ukraine, International Theatre Institute (ITI)

Dear friends and colleagues,
We are shocked and horrified to see the brutal Russian invasion to
Ukraine. We condemn it from the bottom of our hearts. We can imagine
the horror that you’re experiencing in this very moment. We want to
assure you that we support your struggle for freedom and
independence, and we’ll express this support everywhere we can.
Hopefully the bloodshed will end soon, and that the freedom of speech
and artistic expression will prevail under any circumstances that might
develop. We’re sure you have the power and commitment to continue
your struggle in the theatres, too, and strengthen the spirit of your
audiences to survive these awful days until you regain your freedom and
independence.


Your friends at ITI:
• Israel, Gad Kaynar, President
• Germany, Yvonne Büdenhölzer, President, Thomas Engel, Director
• Belgium Flanders, Guy Coolen, President
• Georgia, Levan Khetaguri, General Secretary
• Austria, Reinhard Auer
• Sweden, Ulricha Johnson, CEO, Petra Brylander, Chair of the Board
• Romania, Aura Corbeanu, Doina Lupu
• Hungary, Anna Lakos on behalf of Executive Committee
• UK, Stefania Bochicchio, Co-director, Nick Awde, Co-director
• Czech Republic, Yvona Kreuzmannová, Marta Smolíková, Adriana
Světlíková, Jakub Vedral – Presidency Board
• Finnland, Mikko Kanninen, Chairman of the Board, Linnea Stara,
Director
• Slovakia, Vladislava Fekete, Director Theatre Institute Bratislava
• Croatia, Željka Turčinović, President, Nina Križan, Producer
• Italy, Fabio Tolledi, President
• Cyprus, Christos Georgiou, Executive Director
• Estonia, Anu Lamp, President, Kirsten Simmo, Director
• Slovenia, Staša Mihelčič
• North Macedonia, Ivanka Apostolova
• Switzerland, Anina Jendreyko, Ursula Werdenberg, Board Member


For TDA (The Day After), an informal forum of theatre artists which was
founded during the Covid19 lockdowns, aiming to investigate and reflect
on our responsibility and possibilities as artists in this changing world:
Hadar Galron – Playwright, director, actress, Tel Aviv
Ari Roth – Founding Producing Partner, Voices Festival Productions,
Washington DC
Darinka Abrahamova – Dramaturg of Slovak National Theatre, Bratislava
Eszter Orban – Co-president of the Hungarian Theater Dramaturgs Guild,
Budapest
George Brownstone – Psychiatrist & Psychoanalys,Vienna
K. Madavane – K. Madavane, Playwright, Director, New Delhi
Matthias Naumann – Playwright, translator and publisher, Berlin
Motti Lerner – Playwright, Tel Aviv
Nenni Delmestre – resident director at Croatian National Theatre, Split
Ophir Ariel – writer, director and producer, New York
Petr Svojtka –Director, playwright and translator, Prague,
Pino Tierno – Writer, producer translator, Rome
Richard McElvain – Richard McElvain Actor, Director, Playwright,
Fulbright Scholar, Boston MA.
Vijaya Rao – Member of Chingari Theatre Group, New Delhi
Vivianne Pasmanter – Actress, Sau Paulo

A letter of support to the performing arts community in Ukraine (pdf)

SPAC 70 years

Swedish Performing Arts Coalition celebrating 70 years!

15 June 1951 – 15 June 2021

newsletter march 2020

Newsletter March 2021

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With great admiration, we are following the country’s performing artists, rehearsals with masks and protective visors, go to the premiere and eventually packing everything in boxes with anticipation of the new theatre season which will arrive when the time is right.

We were glad to receive so many suggestions for seminars, discussions and workshops for our semi-digital Swedish Biennial for Performing Arts which will happen this year on May 18-21! The program scheduling is already in the process and if, by any luck that destiny, vaccines and the Public Health Authority allow it, several events and performances will take place live in their respective hometowns as well as being available on the website.

Take part of our latest announcements with publications, tips, open calls and events. On Saturday 27th of March is the celebration of the World Theatre Day, which was instituted by the International Theatre Institute in Paris in 1961. This year the actress Helen Mirren wrote a global message, which she finishes as such:
”The creative urge of writers, designers, dancers, singers, actors, musicians, directors, will never be suffocated and in the very near future will flourish again with a new energy and a new understanding of the world we all share. I can’t wait!”

Best regards,
Ulricha Johnson
Managing director
Swedish Performing Arts Coalition

Read the newsletter here.

newsletter december 2020

Newsletter #December 2020

Swedish Performing Arts Coalition is the Swedish Centre of the International Theater Institute (ITI). It was created by the initiative of the first UNESCO Director General Sir Julian Huxley and the playwright and novelist JB Priestly in 1948, and has over a hundred centers all over the world. We had our last General Assembly in Spain 2017 with 62 countries represented, but this year it will be presented online. Our head quarter in Shanghai is planning a digital General Assembly 10-15 December, and some parts of the program is open to the public. Visit their facebook page to read more!

Did you miss Swedstage Online or would like to share it with someone who didn’t have the opportunity to see it? Explore the full program on the Swedstage website! 

Swedish Performing Arts Coalition was  invited to participate in the event Sustainable Leadership in the Arts which was part of the Nordic Talks series with the Nordic Council of Ministers for International Leadership Week in November 2020. The 3-day event included 3 free online panels with Nordic and UK artistic leaders discussing their organisations’ positive practices and what changes need to be made for the future. Ulricha Johnson participated in the talk about Diversity and Inclusivity with Fin Kennedy from Tamasha Theatre Company and Lars Werner Thomsen from Glad Teater. Visit Cut the cord’s website to read more.

Due to Covid-19, the next edition of the Swedish Biennial for Performing Arts in Västerås is postponed to 2022. In 2021, we will present a semi-digital version of the Biennal. We will share more updated information on our website soon.

Please follow us on Facebook and Instagram to get updated information about our work!

Best regards,
Ulricha Johnson
Managing director
Swedish Performing Arts Coalition

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Welcome To Swedstage Online 2020

Swedstage Online 2020 – November 9th at 2 pm CET.

All films from Swedstage online 2020 is available on the Swedstage webpage.


The performances 2020 are a selection of the finest Swedish productions for children, youth and adults. There will be a great variety in the program with a range of different genres, which enables the audience to get an idea of the width of Swedish performing arts of today. See eight pitches from current selected productions and meet with actors, choreographers, and directors. 

As part of Swedstage Online we will also present a panel talk: Create or Decrease? How can art defy shrinking freedom? In a conversation with Swedish and foreign artists about freedom of speech and democracy we highlight the decreasing space of bold performing arts, that challenge power and norms. Can art be used as resistance? Can art break down walls? Can art pave the way forward? Learn how our peers around the world deal with censorship, self-censorship and threats. After the panel talk we invite you to an exclusive webinar where you can chat directly with Dr. Srirak Plipat, the Executive Director of Freemuse. 

PROGRAM
2 PM CET SWEDSTAGE ONLINE 2020 SELECTED PERFORMANCES
2:45 PM CET PANEL TALK: CREATE OR DECREASE? HOW CAN ART DEFY SHRINKING FREEDOM?
3:30 PM CET EXCLUSIVE WEBINAR WITH DR. SRIRAK PLIPAT, THE EXECUTIVE DIRECTOR OF FREEMUSE

Selected performances 2020

A DREAMPLAY 
Helsingborg City Theatre
SO SORRY
BamBam Frost
KLAUS NOMI
The Royal Swedish Opera/Young at the Opera
WEB
OR/ELLER
DEEP TIME
Virpi Pahkinen Dance Company
KISELDALEN
Kompani Giraff

Artistic advisors 2020

Theresa Benér
Swedish theatre critic, author, specialising in contemporary European theatre. Chairman of The Swedish Association of Theatre Critics.

Sara Bergsmark
Producer at MDT (Modern Dance Theatre), an international co-production platform
and a leading venue for contemporary choreography.

Pelle Hanaeus
Swedish actor, director and pedagogue. He has been Artistic Director of Regionteater Väst and President of Clowns without Borders. He lectures and gives workshops ingender aware performance for theatres and universities.


More information: www.swedstage.se

Read the newsletter about Swedstage Online 2020

Swedstage is an initiative from
Swedish Performing Arts Coaliton and ASSITEJ Sweden

Swedstage is financed by the Swedish Institute, the Swedish Arts Council, the City of Stockholm, Region Stockholm and The Swedish Arts Grants Committee.

Newletter #October 2020

Höst

We continue to thank the employers and employees organizations for their diligent courtship and lobbying. Politicians have probably never had more knowledge of the conditions of the culture area as right now. May this lay the foundation for a long-term investment in both art and infrastructure. There are probably many of you who work intensively to produce and get this autumn’s complicated puzzles of ticket sales, rehearsals, and touring. For you swedish producers‚ do not forget to nominate performances for The Swedish Biennial for Performing Arts 2021! For obvious reasons, the selection committee cannot travel as much and spontaneously as before, so foresight is preferable.

The Swedish Biennial for Performing Arts
Regarding the biennial implementation, Scensverige’s chairman Petra Brylander is convinced that we must dare to emerge from this crisis. The Biennale is an essential festival for everyone who works with and loves performing arts. We will need to talk to each other more than ever about everything that has happened during the upcoming biennial. And also be allowed to look beyond Corona and build a new future. What have we learned? What do we take with us? How can we pass on a review of our climate footprint when we restart? Are we approaching a broader representation? How can we, as a sector, make ourselves visible as a fundamental part of society?

Swedstage
Right now, we have a strong focus on Swedstage, our international export festival that we organize every two years in Stockholm together with The Swedish ASSITEJ. This year, the event will be digital. Keep an eye on our social media, you will get the entire program and all selected productions that will be pitched for the international market.

We have many interesting projects in the pipeline. There are several countries that, for example, are interested in exchanges in newly written drama. We continue to correspond at least once a week with the major festivals and networks that in the pandemic planned to order Swedish guest performances.

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Newletter #September 2020

We are keeping our fingers crossed that it will be possible to gather more than 50 people in the Swedish theatres very soon. With strong arguments, the industry has explained that we can responsibly solve the audience issue. We are happy for you who have so many house seats that you may let a larger audience in with safety distances. Let’s hope our journey back continues from now on!
 
The Swedish Biennal for Performing Arts 2021

Our competent selection committee for The Swedish Biennial for Performing Arts 2021 is ready to receive many nominations of Swedish productions now when the show season is finally starting. The committee, chaired by Lis Hellström Sveningson, consists of Roger Wilson, Josette Bushell-Mingo, Lena Engström, Malin Palmqvist, Mahmoud Al Zeeb, and Martin Forsberg. There will be a lot to process and talk about at The Swedish Biennial for Performing Arts in Västerås in May. It has been a confusing year on many levels, and we look forward to finding out what our members need. We long to meet in real life and feel the enormous energy that the biennial generates.
 
Creative Force
At the time of writing, Scensverige is at Nordkoster to hold two different workshops and talks with our colleagues and communities in Georgia. Together with Georgian ITI we run a Creative Force project with funding from the Swedish Institute. We cannot reveal too much now, but eventually, we will announce everything about the project.

Europe on the Move
We recently participated in an online conference with one of our international network organizations, Europe on the Move. 
With participants from a large number of European countries, we will compile and prepare information and guidelines regarding how international guest performances and tours can be planned and implemented in the future.
 
Swedstage
We had a lot of fun the other week, when we filmed interviews with all the creative artists behind this years online version of our pitch festival Swedstage. The program is amazing, and we can´t wait to get your reactions on it. Stay tuned for more info!

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What happens to the performing arts industry?

On 21 August, Minister of Culture Amanda Lind and Minister of the Interior Mikael Damberg invited to a press conference to present how the performing arts and events industries will survive the pandemic. On 27 August, the Public Health Agency in Sweden issued a consultation response that enables the industry to welcome a more vast audience again.

The Public Health Agency’s proposal 27 August
The Public Health Agency submits a consultation response in which it proposes that the exemption should initially apply to events with a maximum of 500 people. According to the proposal, the ceiling may be raised further depending on the pandemic’s development and the effects of the changes. Also, the authority writes that the distance that the participants must keep should be one meter.

The Swedish Government’s proposal 21 August
Minister of Culture Amanda Lind and Minister of the Interior Mikael Damberg announce additional financial support for culture and sports of SEK 2.5 billion. The Government also wants to ease the audience restrictions for several types of events. For example, when an artist performs for a seated audience in a venue with serving and for a football or ice hockey match that so far has not been able to have an audience due to the limitation of the number of people allowed to participate. The exceptions are proposed to apply if it is possible to carry out an event with a seated audience at a distance of two meters and an audience roof. The Swedish Public Health Agency has been commissioned to produce more specific recommendations regarding this and how, for example, audience releases and queuing should be handled.

KLYS meets three ministers, 21 August
KLYS meets Minister of Culture Amanda Lind, Minister of Trade and Industry Ibrahim Baylan, and Minister of Labor Eva Nordmark to discuss its members’ needs. At the meeting, KLYS ‘new proposals for a follow-up crisis package for culture # krispaketförkulturen2.0 developed in collaboration with KLYS 14 member organizations, will be presented. There, KLYS states which measure the Government should prioritize to create reasonable conditions for art, culture, and culture creators during the pandemic. Thus, artistic activities can eventually be resumed. Read the proposal here.

Previous lobbying from the industry

A meeting focusing on the technology professions.
Meeting with representatives from the Swedish Musicians’ Association and LLB (industry association for experience technology), The Swedish Union for Performing Arts and Film, Minister of Culture and Minister of Trade and Industry Ibrahim Baylan on how the culture/events sector is affected by the pandemic with particular focus on technical professions and subcontractors.

Call to open Sweden’s schools for culture!
The four performing arts organizations Svenska Assitej, Teatercentrum, Danscentrum, and Länsteatrarna in Sweden, have written an open letter to Minister of Education Anna Ekström, Minister of Culture Amanda Lind and Sweden’s Municipalities and Regions CEO Staffan Isling. Read the letter here.

General meeting for national institutions, trade unions, and industry and employers’ organizations
At the beginning of August, representatives of Swedish Performing Arts, the Swedish Performing Arts Association, and the heads of the national performing arts institutions participated in a meeting with Minister of Culture Amanda Lind to emphasize the industry’s great seriousness is facing.